Klara and the Sun
| Published | 2021-03-02 |
| Series | Standalone |
| Genre | Literary Fiction, Science Fiction |
| Language | English |
| Publisher | Faber and Faber (UK), Knopf (US) |
| ISBN-10 | 059331817X |
| ISBN-13 | 978-0593318171 |
πHonest Review
Summary:
Klara is an Artificial Friend, a solar powered companion robot, who sits in a shop waiting to be chosen by a child. She is eventually picked by Josie, a sickly girl, and brought into her family's home. The book is told entirely in Klara's voice and it is about love and devotion seen through the eyes of someone who is not human but who may understand love better than the humans around her. It was Ishiguro's first novel after winning the Nobel Prize in Literature and it was longlisted for the Booker Prize.
β What I Liked
Klara's voice is the entire achievement of this book and it is an extraordinary one. Ishiguro writes her with a kind of careful innocent logic that lets you see the human world completely freshly, the way Klara genuinely tries to understand things like jealousy and cruelty and hope without any of the assumptions a human narrator would bring. The effect of this is that ordinary human behavior, when filtered through Klara's patient observation, starts to look strange and sometimes quite sad in ways you would not notice if a human were telling the story. Her devotion to Josie is the emotional core of the book and it never tips into sentimentality because Ishiguro keeps Klara's voice so controlled and precise the whole way through. The relationship between Klara and the sun itself, which she genuinely believes has healing power, gives the book a kind of quiet spiritual quality that builds slowly and pays off in a way i did not expect to be moved by as much as i was.
β What Could Be Better
The pacing in the middle section is deliberately slow and some readers will find Klara's careful repetitive way of narrating events occasionally frustrating, especially when you can see where the plot is heading faster than Klara herself seems to understand it. Ishiguro is doing this on purpose, letting you sit slightly ahead of his narrator's understanding, but it does mean there are stretches where the story feels like it is circling rather than advancing. Some of the wider social world Ishiguro hints at, the genetic editing of children and the social stratification it creates, is left frustratingly vague. I wanted more clarity about how that world actually works and Ishiguro chooses to keep it at the edges rather than explaining it directly, which fits the restrained style of the book but left me with real unanswered questions.
Klara is an AF, an Artificial Friend, a companion robot designed to keep lonely children company in a near future America where genetic editing has created sharp divides between children who have been enhanced and those who have not. She begins the book in a shop, watching customers and passersby through the window with the patient hope that someone will choose her. Ishiguro writes this section with such care that you understand immediately how Klara's mind works, how she observes and reasons and hopes, all in a voice that is innocent without being naive.
She is eventually chosen by Josie, a sickly girl, and brought home to be her companion. What follows is the slow unfolding of Klara's devotion to Josie and to Josie's mother, and the increasingly complicated situation Klara finds herself navigating as Josie's illness and the family's plans for her future become clearer. I do not want to say too much about where this goes because the slow reveal of what is actually happening, and what Klara is eventually asked to consider doing, is one of the most quietly devastating things i have read in recent fiction.
What makes Klara such a remarkable narrator is the specific quality of her attention. She notices everything and processes it through a logic that is not quite human but is trying very hard to understand humans. She develops a belief, almost a kind of private faith, that the sun has healing power, and the way this belief develops and the role it plays in the choices she eventually makes gives the book an unexpected emotional and almost spiritual dimension. I went into this expecting a cool clever science fiction premise and came out having been moved in a way i did not anticipate.
The supporting human characters are drawn with the same precision Ishiguro always brings to his work. Josie's mother, in particular, is a complicated and not always likeable presence whose own grief and fear shape decisions that ripple through the whole story. Ishiguro never explains her motivations directly. You have to read her through Klara's careful but limited understanding, which means you end up doing some of the emotional work yourself, piecing together what an adult human is actually going through from the outside observations of someone who does not fully share human assumptions.
The wider world of the novel, the genetic editing of children and the social and economic divide it creates between the lifted and the unlifted, is sketched only at the edges. Ishiguro gives you just enough to understand the stakes without ever fully explaining the mechanics or the politics of how this world works. I wanted more of this at times, more concrete detail about how society actually functions around these divisions, but i understand why Ishiguro chose to keep it impressionistic. The book is not really about world building. It is about what Klara comes to understand about love and sacrifice, and broadening the focus too much would have diluted that.
The ending is restrained in exactly the way Ishiguro's endings always are, quiet and devastating rather than dramatic, and it recontextualizes everything that came before it once you understand the full shape of what Klara has done and why. I sat with the book closed in my lap for a while after finishing it, which is the response Ishiguro seems to be specifically built to produce in his readers.
Five stars. It is a smaller and gentler book than Never Let Me Go but it asks many of the same questions about what makes something deserving of love, and it answers them through one of the most carefully constructed narrative voices i have encountered in years.
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