The Catcher in the Rye Review
| Published | 1951-07-16 |
| Series | standalone |
| Genre | Literary Fiction, Coming-of-Age |
| Language | English |
| Publisher | Little, Brown and Company |
| ISBN-10 | 0316769487 |
| ISBN-13 | 978-0316769488 |
πEpiloguely Editorial Review
Written and reviewed by Shadab Alam.
I think the most interesting thing about this book is how differently people respond to it depending on when they read it. Read it at fifteen and holden feels like someone who finally understands you. Read it at thirty and he feels like someone you want to sit down with and gently tell to get some help. Both of those readings are correct. That is what makes it work.
The setup is simple. Holden caulfield is sixteen, just been kicked out of yet another prep school, and instead of going home to face his parents he disappears into new york city for three days. That is more or less all that happens in terms of plot. He wanders around, talks to people, drinks in bars, visits his little sister phoebe, thinks about his dead brother allie constantly, and calls almost everything he encounters phony. The plot is not the point. The point is the voice.
And the voice is extraordinary. I do not think there is another narrator in twentieth century american fiction quite like holden.
The setup is simple. Holden caulfield is sixteen, just been kicked out of yet another prep school, and instead of going home to face his parents he disappears into new york city for three days. That is more or less all that happens in terms of plot. He wanders around, talks to people, drinks in bars, visits his little sister phoebe, thinks about his dead brother allie constantly, and calls almost everything he encounters phony. The plot is not the point. The point is the voice.
And the voice is extraordinary. I do not think there is another narrator in twentieth century american fiction quite like holden.
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